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Samples from http://communitywiki.org/zen :
can I put "</a" in a URL?
<a href="http://test.com/">test</a>, etc. ?
test some HTML:
does <b>bold</b> work?
how about <html><b>bold</b></html>?!
test Local Anchor --- as per http://www.oddmuse.org/cgi-bin/oddmuse/Local_Anchor_Extension
here's a link to anchor "foo" down near the bottom of this page: foo (in the editor it looks like
here's a link to anchor "bar" but with text "baz": baz (in the editor it looks like
here's a link to another page's internal anchor: JFK 50 Miler 2009#Ken (looks like
[[JFK 50 Miler 2009#Ken]])
here's a link to another's page's internal anchor with different link text: 2008 Swab Report ((looks like
[[JFK 50 Miler 2008#Ken|2008 Swab Report]])
test of small Caps and
link with hyphen test: "use-mention distinction"
Tests of new link rendering:
It lowers my chess rating a few hundred points, based on a test game with [[RadRob|Robin]]. It also = It lowers my chess rating a few hundred points, based on a test game with Robin. It also
[[RadRob]] = RadRob
[[RadRob|Robin]] = Robin
WikiLinks turned off now? Colin McGinn ... AbCd ... etc.?
Power test: how does ^z50 look? how about ^z50 and ^z50 and ^z50 ?
Tilde problem: with the Creole extension and the "tilde escape" feature, it seems that a number prefixed by a tilde, like ~3.14159, doesn't show the tilde... hmmm! Putting a space after the tilde, as in ~ 2.718181828, makes it visible ... ^z
more tilde tests:
Here's a tilde at the end of a line ~
Here are two at the end of a line ~
Here's a tilde in front of a digit ~17
Here's a pair ~17
Here's a tilde before a ~WikiWord
Here's a pair ~WikiWord
~ tilde at beginning of line with space after it
~ pair of them
Three tildes ~ and four ~ and five ~~ ... enough!
Here's a table with tildes in front of the digits:
:small type in blockquote
is this a subscript or not???
is this a superscript or not???
[[Wiki_Word_Link_Test?|Wiki Word Link Test]]
[[1_2_3?|1 2 3]]
Here is where all contemplative practices have a common root, a vital heart that can be developed in an almost infinite variety of skillful directions, depending on purpose and perspective. Different techniques of meditation can be classified according to their focus. Some focus on the field of perception itself, and we call those methods mindfulness; others focus on a specific object, and we call those concentrative practices. There are also techniques that shift back and forth between the field and the object.
Meditation, simply defined, is a way of being aware.
-- Anonymous 2014-02-21 09:39 UTC
Charles J. Fillmore was the man who first figured out how framing works. He is world-renowned in linguistics, but deserves a much wider appreciation as a major intellectual. I have cited his work over and over, in my writing and in my talks. But over more than 50 years, he worked modestly as an OWL, an ordinary working linguist. He was brought up in St. Paul, Minnesota, and was known for his Minnesotan modesty, gentlemanliness, and a sly wit befitting Lake Woebegone. When he first came to Berkeley in 1971, he encountered a culture defined by the then-commonplace expression, “Let it all hang out.” His response was to wear a button saying, “Tuck it all back in.”
-- Anonymous 2014-02-21 16:59 UTC
Although some of Lakoff's research involves questions traditionally pursued by linguists, such as the conditions under which a certain linguistic construction is grammatically viable, he is most famous for his reappraisal of the role that metaphors play in socio-political lives of humans.
Metaphor has been seen within the Western scientific tradition as purely a linguistic construction. The essential thrust of Lakoff's work has been the argument that metaphors are primarily a conceptual construction, and indeed are central to the development of thought.
He suggested that:
"Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature."
Non-metaphorical thought is for Lakoff only possible when we talk about purely physical reality. For Lakoff the greater the level of abstraction the more layers of metaphor are required to express it. People do not notice these metaphors for various reasons. One reason is that some metaphors become 'dead' and we no longer recognize their origin. Another reason is that we just don't "see" what is "going on".
For instance, in intellectual debate the underlying metaphor is usually that argument is war (later revised as "argument is struggle"):
He won the argument.
Your claims are indefensible.
He shot down all my arguments.
His criticisms were right on target.
If you use that strategy, he'll wipe you out.
For Lakoff, the development of thought has been the process of developing better metaphors. The application of one domain of knowledge to another domain of knowledge offers new perceptions and understandings.
-- Anonymous 2014-02-21 17:03 UTC
We can all stipulate: the expert isn’t always right.
But an expert is far more likely to be right than you are. On a question of factual interpretation or evaluation, it shouldn’t engender insecurity or anxiety to think that an expert’s view is likely to be better-informed than yours. (Because, likely, it is.)
Experts come in many flavors. Education enables it, but practitioners in a field acquire expertise through experience; usually the combination of the two is the mark of a true expert in a field. But if you have neither education nor experience, you might want to consider exactly what it is you’re bringing to the argument.
In any discussion, you have a positive obligation to learn at least enough to make the conversation possible. The University of Google doesn’t count. Remember: having a strong opinion about something isn’t the same as knowing something.
And yes, your political opinions have value. Of course they do: you’re a member of a democracy and what you want is as important as what any other voter wants. As a layman, however, your political analysis, has far less value, and probably isn’t — indeed, almost certainly isn’t — as good as you think it is.
-- Anonymous 2014-02-26 14:44 UTC
Great literature confounds expectations. Great sentences, paragraphs, stories, and characters create surprises that are as unexpected as they are revelatory. Even the books assigned to us in high school English class—novels like Heart of Darkness, The Scarlet Letter, Moby-Dick (especially Moby-Dick)—were greeted with confusion and apprehension upon their original publication. They were unlike anything that came before. They were unconventional. They were weird.
When I dislike a novel, it’s usually because I recognize something familiar in it: a character, a premise, most often a writing style. Familiar is boring. When I enjoy a novel, it’s usually because it surprises me, tells me things I didn’t know, or reveals things that I do know, but from a different perspective. All high art is destined to be weird. Weird: from wyrd, Old English for “destiny.”
When I write fiction, I tell myself to make it weird. Then I force myself to make it weirder. Life is extraordinarily weird. Art must be weirder.
-- Anonymous 2014-02-26 19:16 UTC
Susskind boldly proposed that the universe itself behaves as a hologram, i.e., that all the information that constitutes our three-dimensional world is actually encoded on the universe’s equivalent of a black hole’s event horizon (the so-called cosmic horizon).
If true, this would mean that “reality” as we understand it is an illusion, with the action actually going on at the cosmic horizon. Baggott ingeniously compares this to a sort of reverse Plato’s cave: it isn’t the three-dimensional world that is reflected in a pale way on the walls of a cave were people are chained and can only see shadows of the real thing; it is the three-dimensional world that is a (holographic) projection of the information stored at the cosmic horizon.
-- Anonymous 2014-03-03 17:15 UTC
In differential geometry, Stokes' theorem (also called the generalized Stokes' theorem) is a statement about the integration of differential forms on manifolds, which both simplifies and generalizes several theorems from vector calculus. Stokes' theorem says that the integral of a differential form ω over the boundary of some orientable manifold Ω is equal to the integral of its exterior derivative dω over the whole of Ω
-- Anonymous 2014-03-03 17:19 UTC
You have good in your life, find it, and share it.
-- Anonymous 2014-03-09 15:08 UTC
Movement Name (click to see figures) Direction Chinese Name
Form 1 Commencing form South
Form 2 Part the wild horse's mane (3) East
Form 3 The white crane spreads its wings East
Form 4 Brush knee and twist step on both sides (3) East
Form 5 Hand strums the lute East
Form 6 Step back and whirl arms on both sides (4) East
Form 7 Grasp the bird's tail-left style East
Form 8 Grasp the bird's tail-right style West
Form 9 Single whip East
Form 10 Wave hands like clouds-left style South
Form 11 Single whip East
Form 12 High pat on the horse East
Form 13 Kick with right heel (east by south 30) East
Form 14 Strike opponent's ears with both fists East
Form 15 Turn and kick with left heel (w by n 30) West
Form 16 Push down and stand on one leg-left style West *
Form 17 Push down and stand on one leg-right style West
Form 18 Work at shuttles on both sides 45 Degrees
Form 19 Needle at sea bottom West
Form 20 Flash the arm West
Form 21 Turn, deflect downward, parry and punch East
Form 22 Apparent close up East
Form 23 Cross hands South
Form 24 Closing form South
-- Anonymous 2014-03-11 17:39 UTC
These thinkers embodied a notion that emerged in Renaissance Italy, expressed by one of its most accomplished representatives, Leon Battista Alberti (1404–1472), that "a man can do all things if he will." Embodying a basic tenet of Renaissance humanism that humans are empowered and limitless in their capacity for development, the concept led to the notion that people should embrace all knowledge and develop their capacities as fully as possible.
The term applies to the gifted people of the Renaissance who sought to develop their abilities in all areas of knowledge as well as in physical development, social accomplishments, and the arts, in contrast to the vast majority of people of that age who were not well educated. This term entered the lexicon during the twentieth century and has now been applied to great thinkers living before and after the Renaissance.
-- Anonymous 2014-03-12 12:24 UTC
The bakeneko (化け猫, "changed cat") is a type of Japanese yōkai, or supernatural creature. According to its name, it is a cat that has changed into a yōkai. It is often confused with the nekomata, another cat-like yōkai, and the distinction between the two can often be quite ambiguous.
-- Anonymous 2014-03-12 13:27 UTC
The Kolmogorov–Arnold–Moser theorem (KAM theorem) is a result in dynamical systems about the persistence of quasi-periodic motions under small perturbations. The theorem partly resolves the small-divisor problem that arises in the perturbation theory of classical mechanics.
-- Anonymous 2014-03-14 11:58 UTC
There’s a name for this. It is called “time confetti.” It’s miserable. And it’s part of why we are all Overwhelmed.
-- Anonymous 2014-03-14 13:10 UTC
A spherical cow is a metaphor for highly simplified scientific models of complex real life phenomena.
The phrase comes from a joke about theoretical physicists:
Milk production at a dairy farm was low, so the farmer wrote to the local university, asking for help from academia. A multidisciplinary team of professors was assembled, headed by a theoretical physicist, and two weeks of intensive on-site investigation took place. The scholars then returned to the university, notebooks crammed with data, where the task of writing the report was left to the team leader. Shortly thereafter the physicist returned to the farm, saying to the farmer "I have the solution, but it only works in the case of spherical cows in a vacuum." 
It is told in many variants, including a spherical horse in a vacuum, from a joke about a physicist who said he could predict the winner of any horse race to multiple decimal points - provided it was a perfectly elastic spherical horse moving through a vacuum.
The point of the joke is that physicists will often reduce a problem to the simplest form they can imagine in order to make calculations more feasible, even though such simplification may hinder the model's application to reality. The concept is well enough known that it can be referred to in scientific discourse without explanation.
-- Anonymous 2014-03-19 12:40 UTC
Tikkun olam (Hebrew: תיקון עולם or תקון עולם) is a Hebrew phrase that means "repairing the world" (or "healing the world") which suggests humanity's shared responsibility to heal, repair and transform the world. In Judaism, the concept of tikkun olam originated in the early rabbinic period. The concept was given new meanings in the kabbalah of the medieval period and has come to possess further connotations in modern Judaism.[
-- Anonymous 2014-03-20 13:55 UTC
A 'collective monologue' does borrow the idea of one person talking and not paying attention to others. The idea is that children at a certain age get together in the same area to play and talk, but don't really pay much attention to each other. Instead, they all give monologues (i.e. talk aloud to themselves) at more or less the same time. From a casual listen it might sound as though they were having a conversation, but they are all talking about their own thing and what each child is talking about does not relate to what the other kids are talking about. At some later age the children learn how to share in conversations and stop the collective monologuing.
-- Anonymous 2014-03-20 14:11 UTC
As a statistician, I use a simple computation based on Bayes’ rule to combine my gut feeling about a piece of health news with information about the study it comes from. The result gives me a better idea of how much to believe a given headline.
This is not a definitive way to tell whether a headline is right — you’d have to perform serious scientific inquiry to know for sure — but I find it a pretty useful exercise.
Bayes’ rule boils down to a simple formula1:
Final opinion on headline = (initial gut feeling) * (study support for headline)
In the equation, the final opinion about the headline and initial gut feeling are expressed as odds. If you think the odds the study is true based on your gut are 4 to 1, then your initial gut feeling will be 4. If you think the odds are 1 to 10 against the study being true, then your initial gut feeling will be 1/10. Each of the numbers is bigger than zero and a value of one is neutral. Numbers assigned to initial gut feeling between zero and one mean you tend not to believe the headline; the smaller the number, the less you believe it. Numbers bigger than one mean you tend to believe the headline; the bigger the number, the more you believe it.
-- Anonymous 2014-03-26 08:15 UTC
The Hermetic Tarot by Godfrey Dowson is a masterpiece. The tone of the deck and Dowson’s artwork invokes the full spectrum of powers within the tarot practitioner for spiritual divinatory work. As a Golden Dawn study deck, the card images are fundamentally focused on alchemical and astrological references, with the deck outfitted for theurgy. It can be integrated into personal rituals, meditations, and ceremonies and in fact is probably far better suited for such work than, say, the Marseille, Rider-Waite-Smith, or even the Thoth decks.
-- Anonymous 2014-03-27 12:14 UTC
The Major Arcana represent universal archetypal forces that govern life. When Major Arcana cards dominate a reading, it suggests that great natural forces are at play. The Minor Arcana represent the many facets of the human condition. Within the Minor Arcana, the four suits generally correspond to the following:
-- Anonymous 2014-03-27 12:16 UTC
I think this goes to show the difficulty of using linear regression, which sounds simple but has hidden problems. My view is that for this kind of data, fits are of limited use. I never do anything more complicated than single-variable regression if I can help it. Even then, I only do a linear fit if I have a clear and fairly simple idea of the reason for the relationship. And, of course, error bars are a must.
-- Anonymous 2014-04-04 12:37 UTC
Pornography depicts one shadowy and loveless corner of the vast landscape of human sexuality. Your teenager might profess a sophisticated understanding of the many varieties of sexual activity, but there’s still no harm in saying: “I know that a lot of kids are looking at porn online, but I’m hoping you won’t. Sex can be mutual, loving and fulfilling and it can be dark, offensive and destructive. What you see in pornography is almost always the wrong kind of sex, and I don’t want you getting the impression that that’s what sex is all about.”
Our bodies can be aroused by things our minds don’t find appealing. Next, you may want to take up the unfortunate reality that many portrayals of sex — however distasteful or disturbing — can still be titillating. You might say: “There’s another reason I don’t want you looking at pornography. People often find that they’re turned on by stuff that they don’t feel good about watching. I wouldn’t want for you to be in the position of having your body react to something your head knows is wrong.”
Many people consider pornography to be fundamentally exploitive. If you go this route, try: “In pornography, someone’s always making money off someone else’s degradation. When you watch pornography, you are participating in exploitation. We don’t do that in our family.” Credit for this last point goes to the author Marybeth Hicks from a conversation we had long ago. Our politics couldn’t be more different (I’m about as liberal as she is conservative), but I fully agree with her on this one.
Everything you do online could potentially be seen by everyone you know. If you haven’t yet had a conversation about sexting, you might introduce that related issue here: “Needless to say, we also expect that you would never share or request content you wouldn’t want grandma to see.”
-- Anonymous 2014-04-05 09:27 UTC
A little conjunction transduction made all the difference.
-- Anonymous 2014-04-05 09:29 UTC
But while we collectively work toward change, most of us individually can make at least a few changes — starting with admitting that we choose how we spend at least some of our time, and we choose whether to feel “busy” or not.
-- Anonymous 2014-04-05 09:40 UTC
In Chinese, Gōngfu (功夫) is a compound of two words, combining 功 (gōng) meaning "work", "achievement", or "merit", and 夫 (fū) which is alternately treated as being a word for "man" or as a particle or nominal suffix with diverse meanings (the same character is used to write both). A literal rendering of the first interpretation would be "achievement of man", while the second is often described as "work and time/effort". Its connotation is that of an accomplishment arrived at by great effort of time and energy. In Mandarin, when two "first tone" words such as gōng and fū are combined, the second word often takes a neutral tone, in this case forming gōngfu. The word is also sometimes written as 工夫, this version often being used for more general, non-martial arts usages of the term.
Originally, to practice kung fu did not just mean to practice Chinese martial arts. Instead, it referred to the process of one's training - the strengthening of the body and the mind, the learning and the perfection of one's skills - rather than to what was being trained. It refers to excellence achieved through long practice in any endeavor. This meaning can be traced to classical writings, especially those of Neo-Confucianism, which emphasize the importance of effort in education.
In the colloquial, one can say that a person's kung fu is good in cooking, or that someone has kung fu in calligraphy; saying that a person possesses kung fu in an area implies skill in that area, which they have worked hard to develop. Someone with "bad kung fu" simply has not put enough time and effort into training, or seems to lack the motivation to do so. Kung fu is also a name used for the elaborate Fujian tea ceremony (kung fu cha).
-- Anonymous 2014-04-13 16:36 UTC
[[Life_Partner_Tarot?|Life Partner Tarot]]
project idea: tarot deck with cards associated with "life partner" criteria ... from various places:
In Greek mythology, a Charis (Ancient Greek: Χάρις, pronounced [kʰáris]) or Grace is one of three or more minor goddesses of charm, beauty, nature, human creativity, and fertility, together known as the Charites /ˈkærɨtiːz/ (Χάριτες, [kʰáritɛːs]) or Graces. The usual list, from youngest to oldest is Aglaea ("Splendor"), Euphrosyne ("Mirth"), and Thalia ("Good Cheer").
-- Anonymous 2014-04-18 12:13 UTC
Muse Domain Emblem
Calliope Epic poetry Writing tablet
Clio History Scrolls
Erato Lyric Poetry Cithara (an ancient Greek musical instrument in the lyre family)
Euterpe Song and Elegiac poetry Aulos (an ancient Greek musical instrument like a flute)
Melpomene Tragedy Tragic mask
Polyhymnia Hymns Veil
Terpsichore Dance Lyre
Thalia Comedy Comic mask
Urania Astronomy Globe and compass
-- Anonymous 2014-04-18 12:15 UTC